Bedilzucht 1771

This etching titled ‘Bedilzucht’ was created by Johann Esaias Nilson, active in Germany during the 18th century. This piece provides a glimpse into the social mores of the time, capturing the performative aspects of criticism within the context of social class. Nilson presents us with a scene where figures from different social strata engage in what appears to be a critique of a statue, embodying the very act of fault-finding. The presence of individuals from different classes invites questions about who has the right to judge and what qualifies as legitimate criticism. The inscription, "It is our right to speak!", suggests a commentary on the power dynamics inherent in social critique. Reflecting on this image, I find myself wondering about the silent participants - those who are observed but not heard. It is a reminder that in every act of critique, there are power dynamics at play, shaping not just the discourse but also the identities and experiences of those involved.