Bouwen aan de mijngang, 1832 1833

Auguste Raffet made this print, “Bouwen aan de mijngang,” in 1832. It is rendered with lithography, a then-new printing technique utilizing the naturally occurring, grease-absorbent qualities of limestone. Lithography was relatively quick and inexpensive, well-suited for images intended for mass consumption. Here, we see it used to depict the construction of a mine passage, likely for military purposes. The men laboring are shown carrying heavy timbers, essential for reinforcing the tunnel. Look closely, and you will see the weight of these burdens etched in their postures. The print evokes the harsh realities of labor and warfare; it's important to note the contrast between the fine art context of lithography and its engagement with social issues. Raffet's choice of this medium underscores the potential of printmaking to capture and circulate images of working people, effectively blurring the lines between reportage and art. The very act of making this image available to a wide audience gives dignity to their efforts.