The Flagellation of Christ 1540

Giulio Clovio created this drawing of ‘The Flagellation of Christ’ using pen and brown ink, achieving a nuanced palette from light washes to intense lines. The composition centres on Christ, bound to a column, surrounded by three figures in dynamic poses. Consider how the figures’ muscularity and exaggerated contrapposto embody the High Renaissance interest in classical forms. The artist uses diagonal lines to emphasize the tension and movement, while the focal point is defined by the contrast between the light falling on Christ’s body and the darker tones of the torturers. The classical architecture suggests order and rationality, while the chaotic arrangement of figures challenges this structure. It invites us to reflect on the breakdown of values when faced with the brute reality of human suffering. The drawing's lasting impact lies in its structural tension, highlighting how art grapples with themes of power, morality, and the human condition.