Garfield and Arthur Quilt by Annie Ensminger Kready

Garfield and Arthur Quilt c. 1880

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textile

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folk-art

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textile

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folk-art

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geometric

Dimensions: 215.7 × 218.9 cm (84 7/8 × 86 1/4 in.)

Copyright: Public Domain

Curator: This quilt, made around 1880, is known as the Garfield and Arthur Quilt, now residing here at the Art Institute of Chicago. Editor: It strikes me as so intricate and homely at the same time! All those small, carefully sewn pieces... it’s immediately apparent this wasn't produced in some factory. Curator: Absolutely. These commemorative quilts often served a very specific socio-political function. The late 19th century was an era of vibrant partisan culture, and this piece immortalizes President James A. Garfield and his Vice President, Chester A. Arthur. Editor: It is interesting seeing political figures memorialized in a traditionally domestic craft. I imagine the production was a labor of love, utilizing whatever materials were on hand. Do we know anything about the maker, their class, or politics? Curator: The maker was Annie Ensminger Kready. Such quilts acted as declarations of political allegiance, particularly powerful expressions from women who lacked direct political voice through voting. Quilts transcended mere domestic utility. They were symbolic banners, weren't they? Editor: I'm particularly drawn to the central panel and those small portrait prints integrated into the fabric. These quilts often incorporated manufactured textiles, reminding us that even ‘handmade’ objects are never truly free of industrial processes. Curator: Precisely. Think of the distribution networks needed to make those textiles available even in more remote locations. And the patterns! This quilt displays the aesthetic tastes of the period. We see the intersection of folk art traditions and wider political discourses. Editor: Looking at the pattern work and meticulous construction, I can't help but wonder about the countless hours invested in piecing it all together. Each stitch holds meaning, doesn't it? Beyond mere function, there is artistic intent here, even defiance. Curator: Definitely a powerful means for women to express both grief after Garfield's assassination and to broadcast allegiance to Arthur. This quilt presents such complex layers, simultaneously memorializing individuals, demonstrating artistry, and performing a civic act. Editor: Considering this remarkable artifact, the 'Garfield and Arthur Quilt' urges us to reconsider simplistic dichotomies between production, craft, domesticity, and political expression. Curator: Agreed. It is far more than "just a quilt", but a window into the era's passions and the role of women in shaping it.

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