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Editor: Here we have an undated river scene by François Louis Thomas Francia, held in the Tate collection. The sepia tones give it such a nostalgic feel. What catches your eye about this piece? Curator: Considering the context of its display, how does the subdued palette and the depiction of everyday river life challenge or reinforce established notions of landscape art in institutions like the Tate? Editor: I see your point; it feels less grand and more intimate than some landscapes. Curator: Exactly. It prompts us to consider whose stories and perspectives are valued and shown within these spaces and what role art plays in shaping public perception of landscape and labor. Editor: That really broadens my understanding of how to view this work. Thanks!