Illustration til "Stabursnøgelen i Rokkehovedet" by Anonymous

Illustration til "Stabursnøgelen i Rokkehovedet" 1870 - 1886

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drawing, print, engraving

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pencil drawn

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drawing

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narrative-art

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print

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pencil sketch

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pencil drawing

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group-portraits

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genre-painting

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engraving

Dimensions: 86 mm (height) x 123 mm (width) (bladmaal)

Editor: This is an intriguing engraving, an illustration titled "Stabursnøglen i Rokkehovedet" made sometime between 1870 and 1886. It feels incredibly intimate. The scene shows three figures gathered around a table in what appears to be deep discussion. What do you see in this piece that I might be missing? Curator: It’s a wonderful example of 19th-century genre painting intersecting with narrative art. Given the date and style, we should consider this piece within the rise of national romanticism, particularly its interest in rural life and folklore. Notice the details of their clothing. Are these depictions based on specific regional customs or idealized versions of rural dress? Editor: It could be either, I'm not sure I can tell. What does this say about its role at the time? Curator: Exactly! These choices significantly impacted how audiences perceived such images. This illustration might tap into broader anxieties about urbanization and a longing for a perceived simpler, more authentic past. Who was the intended audience, and how might this image have functioned within printed material, shaping perceptions of identity and tradition? Editor: So, this image isn’t just a picture; it's part of a bigger cultural conversation? Curator: Precisely! Consider also, how the museum context today affects the reception of such pieces. We display it; we give it value; but how much of its original purpose is communicated without its corresponding narrative? The "Stabursnøglen i Rokkehovedet" needs that narrative to unlock a complete understanding. Editor: That really makes me think about the role of illustrations, and how much context they carry. I never would have considered how the museum gives new meaning. Curator: Absolutely, every object exists within multiple historical layers. Understanding these contexts can radically transform our viewing experience.

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