Blad met regelmatig patroon van motief met drie stippen by Monogrammist MS (sierpapier)

Blad met regelmatig patroon van motief met drie stippen 1900 - 1920

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print, paper

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print

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fashion mockup

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repetition of white

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paper

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minimal pattern

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geometric

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simple pattern

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repetition of pattern

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regular pattern

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pattern repetition

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repetition of white colour

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decorative-art

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imprinted textile

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layered pattern

Dimensions: height 309 mm, width 187 mm

Copyright: Rijks Museum: Open Domain

Curator: This mixed-media print from around 1900 to 1920 is simply titled, "Blad met regelmatig patroon van motief met drie stippen" by Monogrammist MS. I'm immediately struck by how meticulously patterned the motif is. Editor: Yes, a little oppressive actually. The field of burgundy feels almost claustrophobic given the tight repetition. But I admit, there's something compelling about the sheer dedication to order and arrangement. The color itself is subdued, quite muted. Curator: In terms of visual language, these repeated clover-like shapes with the little three-dot detail certainly speaks to a certain nostalgia for simpler forms. There's a sense of visual harmony, evoking a past where even everyday items reflected thoughtful design and possibly carried symbolic meaning. Editor: It definitely hints at the Art Nouveau movement, with its emphasis on decorative art and stylization of nature. Look closely at the interplay of positive and negative space within each clustered shape; it feels incredibly considered. The materiality of the paper support— its aging and the monochrome quality —also lends the image a strange melancholy. Curator: I think you've nailed it. This work serves as a fragment from a time of great innovation and technological change—the Arts and Crafts movement comes to mind too. But by simplifying to pattern, a fundamental human drive to create rhythms and symbols becomes evident, reflecting aspirations towards both functionality and beauty. Editor: On closer viewing, it’s a textile sample that can allow you to appreciate the meticulous rendering of the design from all over the printing. In spite of its simplicity, the image carries much of the early century, the history it represents, its craftiness, yet even then a desire to industrialize. Curator: True. I'm reminded of the potent historical undercurrent flowing just beneath the surface. Editor: Indeed, even a simple design can convey unexpected complexities, can't it?

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