Gezicht op Veere by Wijnand Otto Jan Nieuwenkamp

Gezicht op Veere 1901

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print, etching

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art-nouveau

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print

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etching

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old engraving style

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landscape

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pen-ink sketch

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symbolism

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cityscape

Dimensions: height 270 mm, width 398 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Gezicht op Veere" or "View of Veere", an etching by Wijnand Otto Jan Nieuwenkamp, from 1901. The cityscape almost feels dreamlike with the towering clouds and slightly skewed perspective. What jumps out at you? Curator: It's interesting you mention "dreamlike," as the Symbolist movement was definitely influential at this time. What I find striking is how Nieuwenkamp frames Veere. It's not just a picturesque scene; it's deliberately constructed to evoke certain feelings about the place. Think about the function of art in the public sphere and the social role that art can play. It is a deliberate message to influence our appreciation for Veere. Editor: Could you elaborate? What feelings or ideas might he be trying to convey? Curator: Consider the year: 1901. The etching leans towards Art Nouveau in style. Notice the idealized view of the medieval town and monumental architecture dwarfing people. The towering clouds above could represent power, be it nature, deity or the divine right of rule. The clouds are visually distinct, almost alive, aren’t they? I wonder if the artist intends them to express some type of looming over-power. Editor: Yes, I see that now. It's as if Nieuwenkamp isn't just showing us Veere, but trying to create a narrative about its historical importance, but there also this weight of ominous nature. It makes me question, how were Dutch cities selling themselves? What message were they trying to project during this period? Curator: Precisely! And how might this idealized image of a historical town contrast with the realities of urban life at the time? These questions bring us to the politics of imagery. Was Nieuwenkamp selling the memory of power or foreshadowing inevitable power of a rising element? Editor: This has completely changed how I see the print. Now, I don't just see a landscape, but a constructed narrative and social artifact. Curator: Exactly! It's about recognizing that art never exists in a vacuum. Instead, art exists as an intricate part of culture, society and people!

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