Verzoening van Jakob en Esau by Pieter van der (I) Borcht

Verzoening van Jakob en Esau 1582 - 1613

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print, etching

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narrative-art

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print

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etching

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landscape

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figuration

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cityscape

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history-painting

Dimensions: height 189 mm, width 245 mm

Copyright: Rijks Museum: Open Domain

Curator: Look at this fascinating etching, "The Reconciliation of Jacob and Esau," created sometime between 1582 and 1613 by Pieter van der Borcht. It resides here at the Rijksmuseum. Editor: It’s captivating! The composition draws my eye immediately to the foreground figures locked in an embrace. There’s something both tense and relieved about the scene. But there’s so much happening; my gaze bounces around a bit. Curator: The material itself, the etched line, carries a significant weight. Consider the labor involved in creating this image, reproducing biblical narrative through a network of finely wrought lines. How might access to this print alter viewers understanding of social cohesion and order, especially between those fractured communities facing schisms? Editor: Right. It acts almost as propaganda, this idyllic setting with landscape, cityscapes and historical references combined. It shows a seemingly impossible resolution – one imagines these characters must belong in separate realities until one considers, in a post-Reformation Europe, the need for peace. Is this, perhaps, why the city backdrop becomes so prominent? An emblem, or stand-in, for what awaits a war-torn society should the figure in the fore ever accomplish some real absolution? Curator: I appreciate you mentioning how the city figures within the greater whole! Let’s not forget the etcher's agency, working under specific social circumstances of commissioning, display, distribution. To consider consumption, its production must too undergo rigorous examination. What impact might the market system influence its reception for widespread access among citizens across Europe, many embroiled amidst years long clashes over religion and identity-politics related feuds. Editor: Exactly! It’s like viewing this image through two lenses – the biblical narrative, and the period’s deep anxieties and longings. The politics behind image production! Curator: I concur. I find myself meditating about Van der Borcht and workshop associates within this complicated ecosystem, grappling amidst complex web made-up intersecting cultural discourses shaped around their intended viewers! Editor: And the way art participates in not only recording history, but helping to construct it. Fascinating how this single image packs layers to be explored—perhaps as dense as that town sitting within it.

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