Nacht 1645

Jonas Suyderhoef created this engraving titled ‘Nacht,’ or Night, sometime between 1613 and 1686. The piece allegorically portrays the Roman goddess Nox surrounded by symbols of the night. During the 17th century, such visual allegories were a common means of representing complex ideas. Here, Nox is depicted with wings and a crown of poppies, representing sleep, while owls and dimly lit lanterns invoke the darkness and mystery of the night. Two cherubic figures lay asleep beside her, reinforcing the theme of nocturnal rest and dreams. But who does the night serve, and who does it threaten? Is this a romantic vision of needed respite, or does it hint at the dangers that lurk in the darkness? These are themes that continue to resonate today, as we reflect on who has access to safety and security, and for whom the night holds fear. This image then, prompts us to consider the complex relationship between darkness, vulnerability, and the human condition.