Temple of Dandour [Dendûr], Nubia. 1846 - 1849

David Roberts produced this watercolor painting of the Temple of Dandour in Nubia in the mid-19th century. It offers a window into the early stages of European engagement with ancient Egyptian monuments. Roberts was a Scottish painter who gained fame for his detailed depictions of architecture and landscapes in the Near East. His paintings catered to a European audience fascinated by archaeological discoveries. While seemingly documentary, this image, like others from its time, embodies the politics of imperial exploration. The figures in local dress give scale to the temple, but more importantly suggest European dominance over the region. This representation reinforces a colonial narrative, framing Europe as the enlightened discoverer of ancient wonders. Understanding this image requires delving into travelogues, colonial archives, and the history of archaeology itself. We discover how art played a role in shaping perceptions of other cultures, and legitimizing imperial ambitions.