Studie van de benen van een rennende figuur by Louis Hersent

Studie van de benen van een rennende figuur 1787 - 1860

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drawing, paper, pencil

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portrait

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drawing

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amateur sketch

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toned paper

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light pencil work

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pencil sketch

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sketched

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incomplete sketchy

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figuration

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paper

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personal sketchbook

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idea generation sketch

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sketch

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pencil

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line

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sketchbook drawing

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academic-art

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realism

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initial sketch

Dimensions: height 225 mm, width 295 mm

Copyright: Rijks Museum: Open Domain

Curator: I find this unassuming drawing so compelling. It’s Louis Hersent's "Studie van de benen van een rennende figuur"—Study of the legs of a running figure—created sometime between 1787 and 1860 using pencil on paper. Editor: My first impression? Energy. But almost... trapped energy? It’s just legs, but I can practically feel the muscles straining, even though it’s a simple, almost clinical study. Curator: Yes, the realism of the musculature is striking, particularly for what's essentially a sketch. It reveals the academic art training typical of the period, focusing on anatomical accuracy. Editor: And what about the marks on the left leg, just below the knee? Does that almost appear to resemble an embryonic or fetal form? I can also perceive what could be interpreted as an expressive mask looking towards us. This invites speculation as to what could be running *towards* us. Is there a fear associated with a looming event on the horizon, or even running to it? Curator: An intriguing reading! Given Hersent's other works, predominantly portraits and historical scenes, perhaps this study was for a larger composition involving movement or flight. These details may serve to animate an inner dynamic as much as represent form in the study for later figures, who might be fleeing, or aggressively seeking conflict. The dynamism is palpable even here, now that you point out this subtle symbolic content, so embedded. Editor: Symbolism is always there, isn't it, just waiting to be noticed. To me, this study becomes a commentary on ambition, or even desperation—the body urging itself forward. Curator: I agree, and perhaps Hersent was not even aware that he was imbuing this work with that depth. His exploration here allowed him to reveal unconscious dimensions and emotional layers by attending closely to simple forms. Editor: It reminds me that even in a fragmented sketch, the power of the human form to carry symbolic weight remains extraordinary. Thanks for highlighting this work today.

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