1773
Portret van Johann Albrecht Philippi
Daniel Nikolaus Chodowiecki
1726 - 1801Location
RijksmuseumListen to curator's interpretation
Curatorial notes
Curator: This engraving, dating back to 1773, is a portrait of Johann Albrecht Philippi by Daniel Nikolaus Chodowiecki. The medium is pen. Editor: My first impression? Distant. He seems locked away, not just in that circular frame, but within his own world, observing everything without really engaging. Curator: It's interesting you pick up on that. Consider the labour involved; Chodowiecki utilized meticulous pen work, repeating line after line to produce the tones, suggesting how reproduced images circulated ideas and status, almost as commodities, within the networks of the Enlightenment. Editor: So, it’s not about raw emotion then? More about the means and networks… I still get this very powerful feeling, like there’s an intelligence there that could change the world but for some reason he doesn't lift a finger to do it. Maybe he did change the world just by having his portrait reproduced; a quiet form of protest! Curator: Well, such engraved portraits were tools. Social tools used by individuals. Remember, access to these engravings would have been a mark of privilege in itself. The textures are deliberately uniform. What appears to be emotion, could very well be performativity, reproducing status. Editor: Perhaps! Yet there's an intimacy despite the calculated rendering. His gaze seems fixed on something just out of frame – almost as though something is moving out of focus. This makes me wonder how someone’s individual persona navigates being recast in printed matter for broader distribution? Did he cooperate fully? Or did he retain his secrets behind that quiet gaze? Curator: A compelling reading. Perhaps such questions guide us to think of the labour performed to achieve his likeness and, further, of his own work in the world beyond this framed portrait. He is not simply ornamentation! Editor: Exactly, thank you! Ornamentation suggests only passive display of power when really we are seeing an individual navigating complicated circuits of 18th century print and status... That is potent stuff indeed.