Milano, Parte di Tergo (dettaglio della catti) c. 1870s

Curator: This is a photograph titled "Milano, Parte di Tergo," taken by Giacomo Brogi. It captures a detailed view of the Milan Cathedral. Editor: It feels… almost ethereal, like a city made of lace. The light is so soft, it’s hard to believe it’s stone. Curator: Brogi was quite skilled at capturing the material essence of these grand structures. Note how the repetitive elements highlight the industrial processes involved in quarrying and shaping the stone. Editor: It also brings to mind the sheer human effort—generations of artisans meticulously carving each spire. It’s a testament to faith, really, rendered in such tangible form. Curator: Absolutely. Consider the consumption of resources, the labor...these cathedrals were not just spiritual centers but economic engines. Editor: I guess, gazing at it, I feel a sense of awe. It's a reminder of the immense beauty created through collective human endeavor and belief, whatever fueled it. Curator: Indeed, and analyzing its context allows us to delve deeper into the interconnectedness of art, labor, and social structure.