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Curator: This is Jean Daullé’s engraving, "Marie, Princess of Pologne." Look at the textures! Editor: Immediately, I'm struck by the overwhelming display of wealth and power, but also the constraints it implies for women. Curator: Absolutely. Consider the materiality of the gown, the labor invested in its creation, and its reflection of social status. The princess is a symbol of aristocratic consumption, isn't she? Editor: I think there is a vulnerability here too. How does she negotiate her identity within these prescribed roles? The crown is relegated to the side table, almost an afterthought. Curator: Precisely. The composition makes us question the real substance behind the performance of royalty. Editor: It's a potent image, speaking volumes about gender, class, and the very fabric of power in that era. Curator: Indeed, food for thought about the ongoing systems that shape our world, as well.
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