Paperweight c. 1845 - 1855

Curator: This beautiful glass paperweight was created by the Compagnie de Saint Louis, sometime between 1845 and 1855. It’s currently held in the collection of the Art Institute of Chicago. Editor: It’s absolutely stunning! The intricate floral design encased in the clear glass is quite mesmerizing. It really draws the eye into its center. Curator: Indeed. These paperweights became popular decorative objects in the mid-19th century, reflecting an era of increased industrial production and consumerism. The Saint Louis glassworks was renowned for its skill in producing complex millefiori designs. Editor: Millefiori, meaning a thousand flowers, and seeing the tiny glass rods fused to create the floral pattern really drives home what that means. I wonder what conditions the glassworkers endured creating such detailed work? There must have been many skilled hands at play! Curator: Precisely! The production process required a specialized division of labor. From gathering the molten glass to shaping and arranging the delicate rods, each step reflects the hierarchical workshop structures of the period, with master artisans overseeing the labor of many. These objects were clearly aimed towards an emerging middle class eager for novel displays of luxury and artistry. Editor: Looking at it again, you can’t help but consider this beyond just decoration; you see labor and commerce concentrated into a tangible, precious object. It must have seemed a perfect little luxury object sitting on one's desk! Curator: And a very potent symbol. Paperweights helped to consolidate printed materials which helped drive increased bureaucratic control, and broader political discussions throughout France. These may look decorative, but they signal far bigger changes underway. Editor: Considering it now, it’s quite amazing how this small glass object encapsulates so much about the 19th century, both in terms of craftsmanship and larger social forces. Curator: It gives one quite a lot to consider, doesn’t it? Editor: It really does. Thanks for illuminating a piece of that history!