Gezelschap bij een uitspanning met rieten dak in Le Moulleau bij Arcachon 1897
Dimensions: height 79 mm, width 109 mm
Copyright: Rijks Museum: Open Domain
Curator: What strikes me first is the sepia tone. It evokes such a strong sense of a bygone era, doesn’t it? Like stepping into a historical novel. Editor: Indeed. Let's provide our listeners with some context. This is a photograph titled "Gezelschap bij een uitspanning met rieten dak in Le Moulleau bij Arcachon," which translates to something like "Company at a thatched-roof inn in Le Moulleau near Arcachon." It was taken in 1897. Curator: It is quite fascinating how this genre scene captured on photograph by Delizy tells us stories of leisure and social gatherings, typical of the late 19th century bourgeoisie. I immediately think of Pierre Bourdieu and his theories on the sociology of taste, as the work documents a specific cultural milieu engaging in their rituals. Editor: Mmm, and the textures are amazing! The roughness of the thatched roof, the delicate folds of the clothing… I find myself wondering what they are talking about. Are they discussing politics, art, or maybe just the weather? Curator: It prompts questions of class and representation. The figures, seemingly frozen in time, invite scrutiny about power structures that framed their existence, and who had the agency to produce these records, what kind of historical narratives are archived, and whom it excludes, obviously with gender, and race biases in mind. Editor: You're right; there's a stillness, a posed quality that highlights the constructed nature of the scene. The clothing, in particular, signals social status and access. I wonder, too, about the unseen labor that supports this leisure. The work has this uncanny quality to simultaneously reveal and obscure a moment. Curator: Precisely! And it demonstrates how seemingly candid moments are always carefully crafted, consciously or unconsciously. Editor: It really does stay with you, doesn't it? Curator: Yes, it really forces you to think how much is lost, but yet is always a dialogue with our own experiences of leisure, which, invariably are rooted in certain forms of power.
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