Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City. New York Detained Group: Men at Dinner c. 1903

Editor: This photograph, "Races, Immigration: United States. New York. New York City. Immigrant Station: Regulation of Immigration at the Port of Entry. United States Immigrant Station, New York City. New York Detained Group: Men at Dinner," by J.H. Adams, depicts a large group of men eating. The sepia tone gives it a somber, historical feel. What historical context informs this image? Curator: The image speaks volumes about the immigrant experience at the turn of the century, particularly the institutional processing and, at times, dehumanization, inherent in immigration. Notice the lack of individuality encouraged through the image’s composition. Editor: It does feel very regimented. How did these stations shape the narrative around immigration? Curator: Stations like these were crucial in controlling and shaping the narrative of who was "worthy" to enter the United States. The image shows us a controlled environment, a place where immigrants were processed and observed. What do you make of their expressions? Editor: There’s a weariness, but also a resilience. I see how this image captures a complex moment in American history. Curator: Precisely. It forces us to confront the politics embedded in the very act of documenting immigration.