Solstice 1954

Kenzo Okada made this painting, Solstice, with an approach that’s all about the feels of making. Look at how the marks feel layered and built up! There is a surface here that’s both delicate and tough, like old skin. The colours, muted and earthy, speak of a world seen through a veil. I love the cluster of black marks towards the lower centre - they almost look like a strange gathering, full of energy. It makes me think about Cy Twombly, in how Okada uses the surface and the gesture to create a sense of depth and history. But Okada has his own voice, distinct and clear. In art, like in life, it’s not about having all the answers, but about embracing the questions.