Sieradenboeket by Pierre Marchand

Sieradenboeket after 1623

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drawing, print, etching, ink, engraving

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drawing

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print

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etching

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11_renaissance

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ink

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geometric

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line

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engraving

Dimensions: height 116 mm, width 84 mm

Copyright: Rijks Museum: Open Domain

Curator: So, here we have "Sieradenboeket," or "Jewelry Bouquet," a print made by Pierre Marchand after 1623 using etching and engraving techniques. It’s an intriguing image, isn’t it? Editor: It is! There's something almost otherworldly about the swirling geometric shapes combined with the botanical forms. What strikes me most is how flat it feels, despite the illusion of depth the artist creates. What do you make of it? Curator: For me, it's essential to look at the material reality of this print. Marchand, as a printmaker, was engaging in a highly skilled, labor-intensive process. The etching and engraving reveal a careful control over the materials, but also hint at the mechanical reproduction at play. These floral patterns would be used to decorate and embellish commodities, think tapestries, furniture, even clothing. How does understanding this print as part of a larger system of production and consumption influence how you see it? Editor: That makes me think about the role of prints in disseminating designs – almost like a proto-industrial system. Was Marchand designing the jewellery himself, or was he copying designs to sell them on to other artisans? Curator: Precisely! The very existence of this print points to a burgeoning market for design templates. Who held the means of production and who was profiting from it? These are vital questions. The lines, literally etched in ink, denote the boundary between "high" art and craft, or what we might now call "design". Does this challenge our preconceived notions of the artist's role? Editor: It does! It moves the conversation from artistic genius to skillful labor, and also the market. Thinking about the historical context definitely makes me reconsider its artistic value – or rather, *values*. Curator: Exactly! Seeing this print not as a standalone artwork but as an element within a larger, material network provides such a great way of approaching art history. Editor: It certainly gives a lot to think about regarding consumption, labor, and artistic skill!

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