Abraham Lincoln 1912

Editor: Here we have Henry Wolf’s portrait of Abraham Lincoln. It’s a very dignified depiction. What's striking to me is the medium; it’s not painting or sculpture, but an engraving. What can you tell me about this work? Curator: Well, consider the mass production of images in the late 19th century. Engravings like this allowed Lincoln’s image to circulate widely, shaping public perception. Wolf's skill elevates the craft, but it’s still a commercial process tied to a growing consumer culture. How does this influence your understanding of the artwork? Editor: I guess it makes it more accessible, but also perhaps less unique? Thank you, I had not thought about it that way. Curator: It's a tension inherent in the art of the time. Food for thought!