Doos van koning Lodewijk IX van Frankrijk, gezien vanaf de linkerkant c. 1876 - 1883
photography, gelatin-silver-print
still-life-photography
medieval
photography
gelatin-silver-print
Dimensions: height 211 mm, width 285 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have Léon Vidal's gelatin silver print, "Box of King Louis IX of France, seen from the left side", created sometime between 1876 and 1883. The box itself seems to whisper stories from the medieval period, with what appears to be symbolic figures covering it. What catches your eye when you look at this piece? Curator: The most compelling element to me is the interplay between preservation and representation. Vidal photographed a relic – the box of a Saint King – to fix it in time through a new medium. Each raised image on the box becomes a signifier of Louis IX's reign and saintly persona, loaded with the weight of inherited cultural meanings. Notice the circular forms that might indicate eternity. What could these symbols mean to contemporary audiences, and to us now? Editor: I wonder about how photography, still a relatively new art form back then, could affect or alter our relationship with these older objects and symbols. Does the act of photographing this object imbue it with a new layer of meaning, or perhaps dilute the original intention? Curator: Precisely! Photography, even then, provided accessibility, while potentially distancing us from the visceral experience of encountering the object itself. Consider how the monochromatic nature of the photograph impacts your interpretation. Would color alter your understanding of these symbols? Editor: Definitely. I imagine color could reveal clues about the box's material, further deepening our sense of its historical and cultural value. Thank you! This exploration really enriches the narrative woven around this seemingly simple photograph. Curator: My pleasure. It is by delving into the layered symbolism and contexts that these silent images speak to us across time.
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