Secretary by Ernest Busenbark

Secretary c. 1938

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drawing, wood

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drawing

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charcoal drawing

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wood

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academic-art

Dimensions: overall: 54.2 x 45 cm (21 5/16 x 17 11/16 in.) Original IAD Object: Approx 67"high; 37 1/8"wide, base; 20"deep, base.

Copyright: National Gallery of Art: CC0 1.0

Curator: Ernest Busenbark's drawing, "Secretary," created around 1938, offers a detailed representation of a wooden cabinet. The piece employs a precise and deliberate technique characteristic of academic art. What's your immediate response to this drawing? Editor: There's a quiet formality to it. The color palette feels very contained, and even with the detail in the woodwork, there's a certain stillness, a kind of dignified restraint that borders on melancholy. It's less of a dynamic drawing, and more of a preserved memory, somehow. Curator: Your observation regarding stillness is interesting. I would like to suggest the composition invites closer inspection. Consider the formal structure; the drawing utilizes a balanced, symmetrical arrangement with careful attention given to the textures and patterns within the wood grain. Editor: I get that, I do. It's all meticulously rendered. The play of light on the wooden surfaces is definitely well done, and it gives the cabinet dimension and weight. But that weight feels emotional too, doesn't it? All those little flourishes on the wood, almost like teardrops...it's weighed down with history. Someone's memories lived inside this. Curator: An interpretation I respect, although perhaps deviates from pure formal assessment. While symbolism certainly might be evoked, it is worth appreciating the work for its technique, its line work, and spatial understanding without diving too deep into speculative narrative. Editor: Of course, the artist has demonstrated undeniable skill. But can't the precision amplify emotion? All the detail that evokes a physical reality, actually, only deepens my emotional one. You start to imagine the documents held inside and begin pondering the weight and significance of their absence, for example. Curator: Fair enough, there may be some impact there. So we can both meet there? Editor: Absolutely. I will hold onto the soulfulness the drawing offers, and acknowledge the excellent technique that captures the integrity of this particular… Secretary! It truly resonates beyond just a depiction.

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