Vase 1893 - 1896

Editor: This exquisite vase, dating from 1893 to 1896, was crafted by Louis C. Tiffany and is currently held at The Met. I'm immediately drawn to the iridescence and the almost liquid quality of the glass. What catches your eye about it? Curator: Formally, the success of this work lies in its manipulation of line and color. Notice how the vertical striations, transitioning from vibrant blues and purples at the base to more muted, gold tones at the upper register, create a sense of upward movement. Editor: Yes, it's almost flame-like in that transition. Curator: Precisely. The controlled application of these colors is remarkable. Also observe how the curved lip counters the verticality. These juxtapositions are not merely decorative. Editor: So you’re saying it’s more than just a pretty object? Curator: Certainly. Consider how the form of the vase itself-- the curvature and how it reflects the light -- generates internal movement. Note also the interior is of different coloration. What effect does this create? Editor: The dark interior almost gives depth to the vertical design? Curator: An intriguing assessment. Tiffany successfully orchestrated an exploration of surface and form within the medium of glass, achieving more than a purely decorative function. Editor: I see. By analyzing its structure and composition, it’s less about what it depicts, and more about how it uses form and color. Thank you, it does add more understanding. Curator: A close inspection and application of art theory will help unlock a multitude of treasures in art analysis.