Constantijn spreekt zijn soldaten toe bij de Milvische brug 1645 - 1681

Nicolas Pinson made this print of Constantine addressing his soldiers, sometime in the mid-17th century. It depicts a pivotal moment before the Battle of the Milvian Bridge, where Constantine saw a vision promising victory if he fought under the sign of Christ. This image is rich with the visual codes of its time. Notice the classical architecture in the background, and the Roman military dress. These are not just historical details. In 17th-century Europe, artists often used historical settings to comment on contemporary social and political issues. In that period, France was becoming the dominant power in Europe and, like Constantine, was keen to establish its authority. This print reflects the social conditions of its time, particularly the intersection of religion, politics, and military power. To understand it better, one might look at theological tracts, military histories, and biographies of leaders of that time. This artwork’s meaning is deeply rooted in its original social and institutional context.