H. Ignatius van Loyola c. 1579 - 1615

Editor: Here we have "H. Ignatius van Loyola," a print by Dominicus Custos, dating back to around 1579-1615, currently housed at the Rijksmuseum. The texture achieved through the engraving seems very deliberate. What are your initial thoughts about its visual qualities? Curator: Thank you. Let us begin with a consideration of form. The engraving presents a stark contrast in values, achieved through the meticulous application of line. Note how the artist varies the density and direction of these lines to create depth and shadow, effectively modeling the figure of Ignatius. Editor: So you're seeing that contrast primarily driving the composition? Curator: Precisely. Furthermore, observe the use of line not just to define the figure but to articulate texture. The differing textures of the vestments, the skin, even the architectural elements in the background, are all conveyed through variations in the engraved line. Could you identify instances of these different textural articulations? Editor: Well, in his face you can see hatching and cross-hatching that look soft. But compare that to the starkness in the upper-left with the emblem. Curator: An astute observation. And beyond texture, consider the strategic placement of the subject within the picture plane. The positioning, slightly off-center, creates a subtle visual tension that prevents the composition from becoming static. Does this tension, created by compositional choices, affect your understanding? Editor: Yes, that creates more drama with the hard lines behind him and a stark emblem in the corner. I see how that directs attention without using color. I never thought so much went into a portrait! Curator: Indeed. Close scrutiny of form yields invaluable insights. The interplay of these visual elements reveals the artistry at work.