Bowl 1810 - 1830

This is a humble, yet profound bowl, made by Sōhei Ikasa. Although we don't know exactly when, it is an example of utilitarian art. Consider the historical context of Japanese ceramic traditions. The creation of functional objects like bowls is deeply intertwined with cultural practices, such as the tea ceremony and the preparation of food. These rituals often carry significant social and spiritual meanings. Within this framework, the bowl transforms from a simple vessel into a symbol of hospitality, mindfulness, and connection. Notice the textured surface and the asymmetrical handle. Ikasa seems to be playing with the tension between utility and artistry. How does it feel to encounter an object that blurs the boundaries between the practical and the aesthetic? Does this challenge our assumptions about the value and purpose of art in everyday life?