George Silas Haddock, Pitcher, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

George Silas Haddock, Pitcher, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes 1889

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print, photography

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portrait

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print

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baseball

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photography

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men

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athlete

Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Copyright: Public Domain

Curator: Here we have "George Silas Haddock, Pitcher, Washington Nationals," a photographic print dating to 1889 from the Old Judge series for Old Judge Cigarettes. Editor: It's so striking, this image. Immediately, I get a sense of almost melancholic stillness from him. The sepia tone certainly adds to the antique mood, but the set of his face has this interesting tension between athleticism and contemplation, doesn’t it? Curator: The composition emphasizes Haddock's form through the careful positioning of his body and hands. Consider how the monochromatic palette influences depth and draws your eye to the textured fabrics. Note that even in this portrait style, we find an intentional study of the physical structure of a celebrated sportsman. Editor: Yes, the very construction of "the sportsman" is what interests me. This card, embedded in the culture of tobacco consumption, makes him an emblem of commercial aspirations intertwined with masculinity and even the burgeoning spectacle of professional baseball. His slight remove, perhaps it even speaks to his alienation within this promotional machinery. Curator: That’s a compelling reading, and it highlights the intrinsic artifice involved in portraiture. By isolating Haddock's image, framing it, the artists manipulate our perception beyond simply a visual recording. The Old Judge series offers the chance to delve into an era defining modern celebrity and commodity culture. Editor: Absolutely. To further your analysis, consider the implications for how identities were crafted and consumed. The card becomes more than a depiction, acting instead as a conduit for socioeconomic exchange. These "Old Judge" baseball cards participated directly in advertising and circulated within specific communities – mainly white middle class. So, what cultural narratives do you believe are left untold with images like these? Curator: Precisely the kind of intersectional narrative that gives this era context and invites a closer interrogation of assumptions that, without insight, would remain concealed from modern understanding. Editor: Exactly. Curator: I concur entirely.

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