Portret van de theoloog Isaac Watts 1749

Curator: Here we have a fascinating portrait, an engraving from 1749 by Jan Caspar Philips titled "Portret van de theoloog Isaac Watts." It's currently held at the Rijksmuseum. I must say, the details that Philips captured with such precision are really quite striking, especially for the time. What strikes you most about it? Editor: It definitely has a somber mood, fitting for a portrait, but what jumps out at me is how detailed the lettering is, almost overwhelming the image of Watts himself. How do you interpret this work, especially within the context of Baroque portraiture? Curator: That's a great observation about the lettering. I find that within the Baroque period there's always that desire to impress. Think of the lettering and details not as overwhelming, but as a frame enhancing the subject. There is always that personal touch, do you agree? Think of this portrait as not just of a theologian but rather an idea. Have you considered how printmaking allowed ideas to be shared during that period? Editor: I see what you mean; it becomes almost like an emblem of Watts, with the text serving as a testament to his accomplishments. And, yes, thinking about it as an emblem that conveys his spirit does change my interpretation of the balance in the image! Thank you. Curator: It's funny; it’s these small reframings that makes studying art such a joy. Hopefully others will get to appreciate that point too. Editor: Absolutely. There's always more than meets the eye. I'll be sure to remember that.