Gezicht op de kerk Santo Amaro bij Lissabon 1694 - 1737

Pieter van den Berge created this print of the Santo Amaro church near Lisbon, using engraving and etching techniques. The composition directs our gaze upwards, following the winding path to the church at the summit. The church itself is depicted with geometric precision. Van den Berge masterfully uses line and perspective to create a sense of depth. The formal elements suggest a structured approach to depicting space and architecture. This print reflects a broader cultural interest in mapping and documenting architectural achievements. The lines and shapes create a structured representation of space, while the semiotic system of signs embedded in the image points to themes of pilgrimage and religious devotion. Consider the formal qualities of the print – its lines, shapes, and composition. These function not only aesthetically but also as part of a larger cultural and philosophical discourse about space and representation.