Portret van een onbekende vrouw by Richard Nicolaüs Roland Holst

Portret van een onbekende vrouw 1912

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drawing, pencil

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portrait

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pencil drawn

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drawing

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pencil sketch

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pencil drawing

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pencil

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symbolism

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modernism

Dimensions: height 465 mm, width 340 mm

Copyright: Rijks Museum: Open Domain

Curator: This drawing, "Portret van een onbekende vrouw" or "Portrait of an Unknown Woman," was rendered in 1912 by Richard Nicolaüs Roland Holst. It’s a pencil drawing currently held here at the Rijksmuseum. Editor: She looks introspective, even troubled. The monochrome and soft lines give the portrait a hazy, dreamlike quality. The pose, with her finger to her lip, seems so staged. Curator: Yes, note the delicate hatching and stippling. Holst meticulously built up tone and volume with pencil, creating a rich textural surface despite the limited value range. This isn't mere naturalism, it speaks more broadly to Symbolism's aesthetic. Editor: I find it poignant that it is a portrait of an unknown woman. It makes you wonder about representation and how some figures fade from the historical record, whilst others are pushed to the forefront through things such as artwork. Curator: Absolutely, although we don't know the sitter's identity, it speaks to broader societal trends in early 20th-century portraiture. Editor: Given Holst's socialist beliefs, one could almost argue it democratizes the genre. An every-woman made worthy of study through the lens of high art. Do you believe it’s a commission or perhaps just one of Holst's artistic studies? Curator: Knowing Holst’s typical output of posters, stained glass, bookbindings and textile design it could well be the later. A symbolic sketch to better develop more grandiose endeavors. Although undated, the inscription "Dedié à R.R." suggests that it may be a personal tribute or gift from Holst to someone close to him. Editor: Regardless of her place within society at the time, her expression really brings a sense of enduring contemplation. Curator: Indeed, Holst's command of line and form elevates it beyond simple representation. Editor: Ultimately the work forces one to consider, not only who is represented in art, but why. Curator: Exactly, and from a Formalist point of view, it masterfully employs tonal nuances and texture to create mood.

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