Portret van Gaspard, Francois en Odet de Coligny 1540 - 1560

Editor: So, here we have an engraving from sometime between 1540 and 1560, "Portret van Gaspard, Francois en Odet de Coligny," currently held in the Rijksmuseum. It depicts three figures... and honestly, I'm initially struck by how *serious* they look, like they're posing for the world's most austere boy band album cover. What do you see when you look at it? Curator: Well, beyond the obvious Renaissance fabulousness of their outfits – those sleeves could launch a thousand ships! – I'm intrigued by their stoicism. There’s an air of quiet dignity here, wouldn't you say? I like how the artist chose to render them in such a direct and somewhat stark manner, devoid of unnecessary frills and distractions. It makes you wonder what’s bubbling beneath those steely gazes. Editor: Definitely! It's like they're daring you to challenge them. Is it common to find such austere portraiture at this time? Curator: It depends on who you're painting! This work definitely seems aligned with the ideals of the Northern Renaissance where the subjects' moral character was paramount to display. I get the sense this isn't just about immortalizing their likeness, it's about establishing a lasting record of their character. Their eyes really draw me in. It’s in their eyes that the engraver perhaps hints at the depths of their experiences. What about you? Any hidden stories leap out for you? Editor: Now that you mention the eyes... They really do tell a tale. Thanks for pointing that out; I feel I have a whole new appreciation for the work. Curator: Art is about opening up avenues of inquiry and new visions and viewpoints...which I find eternally exciting and something worth championing.