Portret van Alexander Morus by Jan van Somer

Portret van Alexander Morus 1655 - 1700

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drawing, print, ink, engraving

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portrait

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drawing

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baroque

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print

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ink

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portrait drawing

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engraving

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portrait art

Dimensions: height 213 mm, width 145 mm, height 34 mm, width 147 mm

Copyright: Rijks Museum: Open Domain

Curator: We are looking at a portrait of Alexander Morus, executed sometime between 1655 and 1700 by Jan van Somer. The piece is a striking engraving. Editor: The figure's gaze is certainly compelling, even a bit melancholic, don't you think? There is an intensity captured in the subject's eyes, despite the very formal presentation. Curator: Indeed. Considering Van Somer’s technique, the creation of such detail, those subtle tonal shifts within the face and hair, all point to highly skilled craftsmanship. How the artist manages to build form and depth using solely ink and engraving tools speaks volumes. The paper's likely origin and trade routes are interesting to think about. Editor: Absolutely. But think about what the image of the bewigged intellectual meant during that time. The style, the adornments – the collar, the tassels – speaks volumes about social standing, power, and intellectual prowess. He’s a man of words and ideas, visibly presented. Curator: Well, consider the availability and costs of the materials involved: ink, paper, engraving tools and a printing press to reproduce these portraits and distribute the images. Such engravings would have facilitated broader, arguably democratized, distribution of important figures' images at this time, even if their access was regulated based on class. Editor: Yes, it's a question of image dissemination. But Morus, with those soulful eyes, wasn't just any man. He was a controversial theologian, often at the center of debates, shall we say, intense and perhaps that's why Van Somer emphasized those eyes and their implied depth. Curator: Agreed. What's also fascinating to me, is to look into labor relations and studio operations of workshops creating such reproductive images during this period. Editor: In the end, we are presented with an individual whose image represents not just himself but an era defined by intellect and also deeply intertwined religious conflict and upheaval. Curator: Indeed. Whether examining its materiality or unpacking the symbolism and social implications, Jan van Somer's portrait offers multiple viewpoints. Editor: It makes you wonder what narratives those eyes have witnessed over time, their secrets carefully preserved and only available now through Van Somer’s creation.

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