Divine by  Sarah Lucas

Divine 1991

0:00
0:00

Dimensions: image: 547 x 685 mm support: 565 x 760 mm frame: 650 x 910 x 33 mm

Copyright: © Sarah Lucas | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This photograph, "Divine" by Sarah Lucas, captures a figure in casual attire. It exudes a sort of nonchalant confidence. What statements do you think Lucas is trying to make with this piece? Curator: The work challenges traditional representations of femininity and masculinity. Lucas often explores themes of gender, sexuality, and class. Does the sitter's pose—assertive, legs spread—subvert expected feminine poses? Editor: It does feel like a deliberate disruption of gender norms. The clothing and body language definitely project something other than traditional femininity. Curator: Exactly. Lucas uses her own body to question societal expectations and power dynamics. It invites us to consider how identity is constructed and performed. Editor: I see how the everyday setting further emphasizes the theme of challenging norms in unexpected places. Curator: Precisely. And it highlights the importance of art as a space for social and political commentary. Editor: This gives me a new lens through which to view the piece. Thanks for shedding light on the sociopolitical context! Curator: It's crucial to remember that art is always in dialogue with its time.

Show more

Comments

tate's Profile Picture
tate 3 days ago

http://www.tate.org.uk/art/artworks/lucas-divine-p78444

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 3 days ago

Sarah Lucas has challenged sexual stereotypes in a series of provocative self-portraits. She turns against the art-historical tradition of the female seductress or muse, and presents herself in a deliberately androgynous, and occasionally aggressive, series of poses. She adopts masculine gestures and stances, and shows herself in unisex clothing like jeans and T-shirts. These images also raise questions about the role and appearance of the modern artist. In contrast to the stereotype of the artist as an anguished male, Lucas shows herself as an ordinary person in emphatically ordinary surroundings. Gallery label, August 2004