Ceremonial textile (pua) by Iban

Ceremonial textile (pua) c. mid 20th century

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fibre-art, weaving, textile, cotton

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fibre-art

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asian-art

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weaving

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textile

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geometric pattern

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geometric

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repetition of pattern

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cotton

Dimensions: 94 × 46 3/4 in. (238.76 × 118.75 cm) (with fringe)

Copyright: No Known Copyright

Curator: Here we have a Ceremonial textile, or "pua," crafted by the Iban people around the mid-20th century. The weaving itself is done with cotton fibre. What’s your immediate impression, Editor? Editor: A deep sense of patterned rhythm and solemnity. The repeated motifs give it a meditative quality, and the ochre palette feels very grounded, very connected to the earth. Curator: Precisely. The strength of this pua lies in its highly organized composition. Observe the careful mirroring of shapes, the structured alternation of vertical and geometric elements. It's a fascinating study in visual balance. Editor: Beyond balance, there's a compelling symbolism at play. While the specific meanings may be nuanced, the stylized figures hint at ancestors, spirits, or important narratives central to Iban cosmology. These shapes are not arbitrary; they are laden with cultural meaning, speaking to a rich, unwritten history. The textile appears not just decorative, but also spiritually active. Curator: A key element is the repetition itself, which functions almost like a structural spine. This deliberate ordering also speaks to ritual significance. The patterns contain vertical emphasis broken with intermittent horizontal and diagonal structural elements that unify the overall work. Editor: And consider the choice of color. That particular shade of brown suggests earth, but it is also reminiscent of the dye derived from plants central to Iban tradition, binding them through the fiber-art medium itself to their ecosystem and their ancestral customs. Curator: There’s no question this textile represents masterful control. Each shape precisely rendered, interlocked to form a greater whole. A triumph of careful craftsmanship in its time. Editor: Indeed. I'm struck by how this one artifact can so powerfully convey the layered histories, spiritual beliefs, and aesthetic values of the Iban community. Thank you, I find myself truly in awe.

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