Untitled c. 1973

This untitled work is by Victor Vasarely, an artist known for his pioneering role in Op Art. It's made with a limited palette, and yet, the composition resonates with dynamism. The artwork presents a structured arrangement of black geometric shapes, primarily circles and squares, against a white background. Each form seems meticulously placed, creating a visual rhythm that pulsates across the surface. The stark contrast between black and white enhances the perception of depth and movement, compelling our eyes to oscillate between figure and ground. Vasarely's work challenges our perception, engaging with ideas of Gestalt psychology, where the whole is greater than the sum of its parts. It destabilizes fixed meanings by prompting continuous visual reevaluation. The structured, yet visually dynamic arrangement reflects the artist's interest in how abstract forms can evoke sensations of movement. Consider how the repetitive, yet varied use of geometric forms invites ongoing interpretation. Art, in this sense, becomes a site of perceptual play, continuously redefined by our gaze.