The Healing of the Lame Man (cartoon for the Sistine Chapel) 1515

Raphael made this large-scale drawing, "The Healing of the Lame Man," in the early 16th century as a preparatory design for a tapestry that would hang in the Sistine Chapel. It’s executed in tempera paint on paper. The choice of tempera, a fast-drying medium, and the colossal size of the cartoon speak to the significant labour involved. The drawing’s material quality significantly influences its appearance. The paper support lends a certain lightness and delicacy, while the tempera paint provides a matte finish, allowing for detailed rendering of forms and figures. Notice how Raphael captured the weight and texture of clothing, skin, and architectural elements with deft brushstrokes and careful attention to light and shadow. These cartoons were a vital link in a complex chain of production. Raphael designed the composition, skilled weavers translated it into tapestry, and wealthy patrons commissioned the works. While we often celebrate Raphael’s genius, it’s crucial to recognize the collaborative nature of this endeavor, with many artisans contributing their expertise. By focusing on materials, making, and social context, we gain a deeper understanding of this artwork, and appreciate its place within the rich history of both art and craft.