The Line of the Plough by  Sir Arnesby Brown

The Line of the Plough Possibly 1919

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Dimensions: support: 635 x 762 mm frame: 940 x 1055 x 117 mm

Copyright: © Tate | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have "The Line of the Plough" by Sir Arnesby Brown. It's quite a serene scene, but the freshly ploughed field makes me think of labor. What do you see in this piece? Curator: The furrows demonstrate a forceful manipulation of the earth. Consider the economic structures needed to produce this image: the cost of canvas, paints, and the artist's time, all reflecting a system of land ownership and agricultural production. Editor: So you're focusing on the material aspects, like the land and the labour involved? Curator: Precisely. The painting romanticizes rural life, but it also points to the means of production. What materials were used, and for whom was this image intended? These are critical questions. Editor: I see it now. It's not just a pretty landscape, but a record of work and resources. Thanks for pointing that out! Curator: Indeed, examining the material and social context can reveal so much more than just the surface.

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tate about 1 month ago

http://www.tate.org.uk/art/artworks/brown-the-line-of-the-plough-n03448

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tate's Profile Picture
tate about 1 month ago

Sir Arnesby Brown was a Royal Academician who deliberately resisted Modernist influences, and a landscape painter known for his views of East Anglia. This painting was exhibited in 1919, the year after the end of the First World War. Like other artists of this post-war moment (including Stanley Spencer), Brown enfolds the sweeping movement of the plough into the perspectives of the landscape. This suggests a harmonious integration that may have been particularly appreciated in contrast to the shattered landscapes of the war in France and Belgium. Gallery label, September 2004