Chemise by Eugene Croe

Chemise c. 1936

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drawing, paper, dry-media, pencil

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pencil drawn

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drawing

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amateur sketch

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toned paper

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light pencil work

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pencil sketch

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paper

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dry-media

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personal sketchbook

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detailed observational sketch

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pencil

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sketchbook drawing

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pencil work

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sketchbook art

Dimensions: overall: 38.2 x 50.9 cm (15 1/16 x 20 1/16 in.) Original IAD Object: 44" long; 21" wide at shoulders; 71" wide at bottom

Copyright: National Gallery of Art: CC0 1.0

Curator: Before us we have Eugene Croe’s "Chemise," created around 1936. It's a pencil drawing on what appears to be toned paper. A domestic item rendered with care... Editor: It has a gentle, almost ghostly quality. The soft lines and muted tones evoke a sense of quiet intimacy. I almost feel like I’m looking at a cherished heirloom, something imbued with personal history and vulnerability. Curator: Indeed. Croe seems particularly attentive to the lace and the details of the embroidery—the artist is meticulously cataloging and recording not just an item of clothing, but the visual language of a bygone era. Notice how the pencil work mimics the delicate texture. Editor: That focus on texture underscores the garment's place within a very specific material reality. Nightclothes historically index a very coded space of femininity. This garment probably belonged to someone and it’s difficult to miss that absent figure. Curator: And the monogram on the chemise could give a key to a particular family memory or genealogy if we knew more. The artist draws attention to those symbols of belonging. Are we meant to ponder who wore this and their relationship to this very personal and intimate belonging? Editor: Definitely. Moreover, Croe's choice of chemise speaks to historical constructs around domesticity and privacy—chemise represents woman's space within the home, yet the act of drawing calls it outside it again into a social arena. It's not an idealized vision; the very medium indicates modesty, the intimate made public. Curator: The everyday is imbued with symbolic resonance. A garment holds the shape of the person. I can see continuity and persistence of visual emblems of comfort, care, protection even. Editor: Perhaps Croe wanted us to ponder such a legacy. How objects tie to historical narratives as well as lived moments, how they speak when witnesses can't. I like to think this little scene of clothing holds so many stories waiting to be unraveled. Curator: It offers itself as both evidence and symbol—to be considered with care and concern.

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