Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 22 (recto) by Domenico da Sera

Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 22 (recto) 1532

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drawing, print, paper, typography

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drawing

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water colours

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print

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book

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paper

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11_renaissance

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typography

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coloured pencil

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italian-renaissance

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historical font

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calligraphy

Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm)

Copyright: Public Domain

Curator: Wow, it's like stumbling upon a whispered secret from a bygone era. There's such a delicate, ephemeral feel to it, despite the formality of the text. It's romantic, almost. Editor: Indeed. Here, we have a page, specifically page 22 recto, from "Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti," created by Domenico da Sera in 1532. It is currently held at the Metropolitan Museum of Art. The work employs print, drawing, typography, water colours, and colored pencil on paper. Curator: It feels like I'm eavesdropping on someone’s thoughts. The layout feels very intentional and considered—how do you unpack something like this? Editor: Let's begin with the formal structure. The text itself displays characteristics of calligraphy. Notice how each verse block initiates with an elaborate capital. Observe the careful consideration of line spacing, indicating a structured yet artful approach. Note also the varied, distinct, historical font types which evidence a commitment to a particular style. These combined characteristics evoke the intellectual sophistication emblematic of Italian Renaissance print and design. Curator: I love the idea of practical art instruction elevated into the realm of something aesthetically refined—and even poetic. A poem about how-to guides, imagine that. Editor: The book served as an instructional manual with this particular page as an excellent exemplar. This practical context informs our understanding of the poem’s semiotic function, its dual capacity for technical instruction and the expression of its author’s humanist perspective. It tells us so much about 16th-century aesthetics. Curator: Knowing that someone labored meticulously over each letter and page just breathes a sense of life into this ancient instructional page. Editor: Precisely. Works such as this one display both practical functionality and profound artistic insight—offering invaluable glimpses into history, culture, and human ingenuity. Curator: Looking at it makes me think differently about design. This really puts a spin on the whole DIY ethos! Editor: Agreed; it inspires me to pick up an ancient book, decipher its secrets, and craft something extraordinary—with my own two hands.

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