Pa. German Stove Plate by Charles Von Urban

Pa. German Stove Plate c. 1936

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print, metal, relief, ceramic

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print

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metal

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relief

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ceramic

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folk-art

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decorative-art

Dimensions: overall: 18.9 x 21.7 cm (7 7/16 x 8 9/16 in.) Original IAD Object: 22 1/2" wide; 21" high

Copyright: National Gallery of Art: CC0 1.0

Editor: So, this is a Pa. German Stove Plate, probably ceramic and metal. It’s dated around 1936 and described as relief print folk art. It looks really weathered and old. What do you see in it? Curator: This stove plate is fascinating. The symbols themselves become a kind of cultural record. The relief carvings are deeply symbolic, aren’t they? Notice the date – 1753 – it refers to a past generation imprinting themselves on the present through durable art. Consider the wear and tear; that is, time inscribed onto this material. Editor: So, you’re saying the symbols themselves tell a story that goes beyond just decoration? Curator: Precisely. Look at the motifs, perhaps floral or heraldic. Each likely held significance in 18th century Pennsylvania German culture, reflecting beliefs, values, and perhaps even family history. The choice to depict them would have been quite deliberate. What emotions do they stir in you? Editor: Well, I didn’t think about it like that at first; it's aged, obviously, but to consider all the time held *within* the material... I am moved to reflect on the individuals connected to this art. Their labor and its legacy, all presented here in metal. It's a very grounded art object. Curator: Exactly. Even the material itself, this mix of metal and ceramic, points to practicality and artistry combined. It embodies that period, a convergence of needs and creativity. And the 'print' element tells us it may have been a modular or even mass-produced design for many homes, which speaks to wider communal meanings. What would that have felt like? Editor: It really makes me wonder about the stories this stove plate could tell. Thank you for making me reconsider its emotional and cultural dimensions. Curator: It’s been my pleasure. Hopefully, thinking about images and time in such direct ways will inform how you explore all art going forward.

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