We Are Not the Last 1970

Editor: Here we have Zoran Music's intaglio print, "We Are Not the Last." The stark contrasts and anguished figure create such a powerful sense of despair. What does this work say to you? Curator: Music’s experiences in Dachau profoundly shaped his vision. This image transcends personal trauma, becoming a stark reminder of collective suffering and the institutional dehumanization inherent in war and genocide. It challenges viewers to confront uncomfortable truths about humanity's capacity for cruelty. Editor: So, it's not just about personal suffering, but also a broader commentary on historical events? Curator: Precisely. The title itself, "We Are Not the Last," suggests a cyclical nature of violence, prompting reflection on our responsibility to prevent future atrocities. How do museums impact the reception of such a powerful and potentially triggering image? Editor: I see how the institutional framing influences our understanding of this piece. Thank you. Curator: My pleasure. It is essential to consider the artwork's historical context to have a deeper understanding.