Portret van Sébastien Le Prestre de Vauban by Pierre Louis Henri Laurent

Portret van Sébastien Le Prestre de Vauban 1789 - 1844

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print, engraving

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portrait

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pencil drawn

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neoclassicism

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print

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history-painting

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engraving

Dimensions: height 265 mm, width 190 mm

Copyright: Rijks Museum: Open Domain

Curator: Well, isn’t this interesting? My first impression is one of subdued power, or maybe intellectual restraint. Editor: Indeed. Before us we have a print of Sébastien Le Prestre de Vauban, dating to between 1789 and 1844 and attributed to Pierre Louis Henri Laurent. An engraving, to be exact. One must wonder about the process of transferring the image and how that choice of medium affects the viewer’s perception. Curator: Transfer, yes, but look at the symbolism embedded here. His gaze is directed slightly off-center, thoughtful. The table with what looks like maps speaks to his strategic mind, the faint suggestion of military achievements. The eye is drawn to symbols of power. Editor: You’re drawn to the symbols, I’m more interested in the tangible reality. Consider the labor: the skilled hand of the engraver, the economics of printmaking during that period, the dissemination of imagery and ideas... Vauban as a commodity, of sorts. Curator: Commodity might be too harsh. Aren't you struck by the contrast between his elaborate costume and the almost Spartan rendering of his face? To me it says something about the tension between public image and private intellect during this historical period. And the lace collar, an echo of refinement! Editor: But think about that lace! Who produced it? What were the working conditions? The exquisite detail that speaks of wealth also speaks, silently, of the hands that created it, probably under grueling conditions. Consumption and display have material roots. Curator: I suppose that’s an interesting perspective, if somewhat reductive. But there’s no denying the lasting impression: a man, a leader, preserved through image and symbol, hinting at layers of cultural meaning we’re still decoding centuries later. Editor: And, of course, it has also to do with the choices surrounding the production process, where the image comes from and who controlled those means. Every stroke carries with it the legacy of social and economic conditions.

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