Ulrik Christian Gyldenløve 1753

Jonas Haas created this print of Ulrik Christian Gyldenløve in eighteenth-century Denmark. The image, rendered in meticulous detail, invites us to consider the visual codes of power and legitimacy circulating at the time. Gyldenløve, the illegitimate son of King Christian V, is depicted with symbols of military prowess: armour, weapons and cannons. The comet overhead, often interpreted as an omen, adds a layer of dynastic ambition. But what does it mean for the illegitimate son of a King to be depicted with these symbols? This print was made during a period of political and social change in Denmark, as the absolute monarchy grappled with issues of succession and legitimacy. Art became a key tool for shaping public perception. This print, based on an original painting, demonstrates how images can negotiate and challenge social norms. As art historians, our work involves delving into archives, studying political pamphlets, and understanding the social conditions that gave rise to such potent imagery. Only then can we truly understand the dialogue between art and society.