Hoofd van een kalende man by Jacques Philippe Le Bas

Hoofd van een kalende man c. 1736

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print, etching, engraving

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portrait

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print

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etching

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pencil drawing

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engraving

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realism

Dimensions: height 83 mm, width 67 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Head of a Balding Man" by Jacques Philippe Le Bas, dating from around 1736. It's currently housed here at the Rijksmuseum. Editor: Immediately, I'm struck by its somber tone. The stark contrasts and delicate lines give the work an almost melancholic air. Curator: Absolutely. The artist really wrings an awful lot from so little, materially speaking. We're dealing with an engraving, using etching techniques as well, to render the textures. You've got that stark opposition of the black lines on a relatively empty plane. Semiotically, it directs the viewer to interpret emptiness and loss within the frame. Editor: Yes, I see that. Prints like these had a crucial social function. They made images affordable and accessible to a wider audience. The realism here is interesting, avoiding idealization. The balding head, the visible age…it's a portrait of someone ordinary. This elevates the common man, reflects a growing democratic sentiment in society, and shapes a new cultural perception of common folks. Curator: Precisely. There’s something inherently democratic about its reproducible nature, although, of course, access was still stratified along socio-economic lines at this time. Thinking about the figure's gaze, lowered and seemingly introspective, further reinforces that quiet intensity, guiding one's interpretive strategies, I'd argue. The shading alone helps render a feeling of vulnerability. Editor: It speaks to a larger trend, doesn’t it? A focus on the individual and their internal world during the Enlightenment, reflected in art that aims to capture not just likeness but character. And in placing him here, within the halls of the museum, aren’t we implicitly endowing this average person with lasting cultural value? Curator: An astute observation. It certainly prompts us to reassess the criteria for enduring aesthetic significance and, through that, reconsider the very structures of perception, right? Editor: Yes, indeed! Seeing how these affordable images helped reshape social and aesthetic values truly emphasizes their profound impact.

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