Standbeeld van Porcia 1670 - 1677

This engraving of Porcia, made by Claude Mellan, likely in France, is a testament to the enduring appeal of classical antiquity in the 17th century. Mellan depicts Porcia, the wife of Brutus, known for her virtue and tragic end. But what does it mean to reproduce a classical statue in early modern Europe? The key is the way the female form is idealized, as it simultaneously echoes and departs from ancient ideals. Mellan’s technical skill in engraving allows him to create a strong sense of volume and texture, which also brings a lifelike quality to the marble figure. Consider the role that institutions such as the Royal Academy of Painting and Sculpture, which Mellan joined, played in shaping artistic taste and promoting classical models. Delving into period sources, such as emblem books and rhetorical treatises, might reveal more about how virtue and stoicism were understood, and how female figures were used to embody such concepts.