Portret van Hortense Manzini, hertogin van Mazarin by Jan Verkolje, I

Portret van Hortense Manzini, hertogin van Mazarin 1680

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etching, intaglio, engraving

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portrait

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baroque

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etching

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intaglio

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pencil drawing

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engraving

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portrait art

Dimensions: height 214 mm, width 165 mm

Copyright: Rijks Museum: Open Domain

Curator: What a captivating engraving. This is Jan Verkolje I's 1680 portrait of Hortense Mancini, Duchess of Mazarin. It exemplifies Baroque portraiture of the period. Editor: Yes, my first impression is the textures – a whole play of etched lines that define the volume and ornamentation in the scene, giving a subtle but pervasive liveliness to it. It makes it visually captivating! Curator: Indeed. Hortense Mancini herself was a prominent figure. As Cardinal Mazarin's niece, her life was steeped in the French court's intrigues. Verkolje captured her here after she'd established herself as a significant cultural presence in England, known for her wit and salon. The artwork presents a lens onto the celebrity culture and the importance of powerful families during the Baroque era. Editor: It is beautifully composed within the oval frame. Observe how the light seems to pour over her left shoulder, casting soft shadows that sculpt her features. And that hair—an absolute riot of curls, balanced by the more restrained cascade down her shoulder. It really emphasizes the theatricality of the Baroque. Curator: Precisely! The open neckline was characteristic of courtly portraits, displaying wealth through jewelry – which we do not see much of here, interestingly. Editor: Good observation. And while it certainly captures a sense of the Duchess’s status, what’s more compelling is how Verkolje renders her gaze. There’s an almost melancholic intelligence in her eyes, don’t you think? A suggestion of inner complexity that elevates the portrait beyond a mere display of affluence. Curator: I agree; it hints at her story beyond the image. Knowing her reputation for intellectual independence, one can read that nuance in her expression. Art of this era was deeply entrenched in image-making for power consolidation. Editor: So, it becomes more than just an engraving; it becomes a historical record, a glimpse into the persona behind the title. I am quite drawn into it now! Curator: It certainly offers more than meets the eye; a great confluence of history and compelling artistry. Editor: Definitely! Thank you for bringing the historical context into it; it completely changed how I see the piece!

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