Enthusiast (‘The Gouty Angler’) by Theodore Lane

Enthusiast (‘The Gouty Angler’) Possibly 1828

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Dimensions: support: 406 x 559 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Theodore Lane’s painting, Enthusiast, sometimes called ‘The Gouty Angler’. It’s quite a dark scene, yet there’s something very cozy about it. What stands out to you? Curator: Notice how Lane uses the fishing rod itself – extending it from the foreground to the back – like an arrow pointed towards some unreachable goal, a longing. What might the symbolic meaning of this pursuit be, for a man of that era? Editor: Perhaps a yearning for simpler times, away from industrialization? Curator: Precisely. The objects around him – the wine, the book, the ornate fireplace – create a sense of domesticity. But even these suggest isolation, as if he’s trapped within his own comforts. Do you sense a tension? Editor: I see it now, the warmth is overshadowed by a kind of melancholy. Curator: Yes, the painting becomes a meditation on aging, perhaps, and the bittersweet reality of finding solace in a world that’s changing too quickly. Editor: That's fascinating; I hadn't considered the painting in that light. Thank you!

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tate 5 months ago

http://www.tate.org.uk/art/artworks/lane-enthusiast-the-gouty-angler-n00440

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tate 5 months ago

Comic subjects formed a very distinctive category within nineteenth-century genre painting. Many such pictures tended to depict instances of everyday domestic discomfort or, like this one, eccentricity and 'ruling passions'. The first owner of this picture, Robert Vernon, was something of a hypochondriac. He made his fortune in the 1830s by hiring horses to the gentry.Lane had a sharp eye for domestic whimsy. Here, a gout-stricken angler is confined to his room. He still pursues his hobby against all the odds. His medicines are on the table beside him while his 'bible', Isaac Walton's 'The Compleat Angler', lies open on the floor. Gallery label, September 2004