Mandarin Ducks 

Ohara Koson created these Mandarin Ducks using woodblock printing, likely between the late 19th and early 20th centuries, a period when Japan opened further to the West. This print is more than just an image; it's a testament to the labor and skill involved in the traditional ukiyo-e process. From the carving of the woodblocks to the careful application of ink and the registration of colors, each stage demands precision and expertise. The vibrant colors and delicate details, particularly in the ducks' plumage, show the handwork involved. The social context of this print involves the commodification of nature and the rise of consumer culture in Japan. Prints like these were made for export, catering to Western tastes for exotic imagery. They blur the lines between art and craft, offering a glimpse into the intersection of aesthetics and commercial enterprise. They remind us of the human effort behind every object we encounter.