Andalusian Bulls 

Rosa Bonheur made this drawing of Andalusian Bulls in 1867 using graphite and wash on paper. The very choice of these materials speaks to a certain set of priorities, since drawing has historically been seen as a preliminary activity, in advance of painting or sculpture. Bonheur was known for her naturalistic depictions of animals, and the earthy tones and fluid application of wash in this work beautifully capture the muscularity and weight of the bulls. Graphite, in particular, is a material that allows for both precision and expressive mark-making. Note how Bonheur uses it to define the animals' forms with bold outlines and subtle shading. The layered washes create depth and atmosphere, evoking the arid landscape of Andalusia. Bonheur's choice of such an unassuming medium invites us to appreciate the artist’s sensitivity. By focusing on the inherent qualities of her material, she elevates the everyday into something extraordinary. Ultimately, works like these blur the lines between fine art and craft, reminding us that skill and artistry can be found in unexpected places.